Instagram | Marco Moreira

_

Instagram

2018

Instagram post 17934576046606923

Instagram post 17934576046606923

Don’t invite Piet Mondrian to your party. I know

Don’t invite Piet Mondrian to your party. I know he starts out by making a great impression, but after a little while he becomes a real square, 2020.

12mm graphite bar on Canson paper and 33 steel nails, 180 x 180 cm.

Instagram post 17911256062911943

Instagram post 17911256062911943

Instagram post 18249304018008395

Instagram post 18249304018008395

Instagram post 17858922188581486

Instagram post 17858922188581486

Instagram post 17936971339607019

Instagram post 17936971339607019

Instagram post 18192304651115347

Instagram post 18192304651115347

Instagram post 18107591062247456

Instagram post 18107591062247456

Instagram post 18167646973152690

Instagram post 18167646973152690

Zapantera Negra, Digna Rebeldia, 2016-2021

Zapantera Negra, Digna Rebeldia, 2016-2021

Instagram post 17909273936050684

Instagram post 17909273936050684

Instagram post 17859238157566407

Instagram post 17859238157566407

Instagram post 18198015031100515

Instagram post 18198015031100515

Instagram post 17933372287578701

Instagram post 17933372287578701

Instagram post 17894613509132901

Instagram post 17894613509132901

Instagram post 17926897276612663

Instagram post 17926897276612663

Instagram post 17901750232953135

Instagram post 17901750232953135

Instagram post 17907338200892524

Instagram post 17907338200892524

Instagram post 17874283742413692

Instagram post 17874283742413692

Instagram post 17885532890275281

Instagram post 17885532890275281

Instagram post 17896376966054525

Instagram post 17896376966054525

Instagram post 17896801901022420

Instagram post 17896801901022420

Instagram post 17933442226525666

Instagram post 17933442226525666

Revista :ESTÚDIO, Artistas sobre outras Obras Vol

Revista :ESTÚDIO, Artistas sobre outras Obras
Volume 11, número 29, janeiro–março 2020

Anne Heyvaert, El objeto del dibujo y su experiencia, para Marco Moreira. p. 31.

Centro de Investigação e Estudos em Belas-Artes (CIEBA), Faculdade de Belas-Artes, Universidade de Lisboa

https://www.marcomoreira.pt/wp-content/uploads/2021/02/E_v11_iss29.pdf#page=31

Instagram post 17940080845483561

Instagram post 17940080845483561

Instagram post 17873579441344471

Instagram post 17873579441344471

Instagram post 17899533313833649

Instagram post 17899533313833649

Instagram post 17901680962780331

Instagram post 17901680962780331

Working... Untitled, graphite on paper, 2021 20,

Working...

Untitled, graphite on paper, 2021
20,5 x 14,5 cm

Últimos Días / Last days "Don’t invite Piet M

Últimos Días / Last days

"Don’t invite Piet Mondrian to your party. I know he starts out by making a great impression, but after a little while he becomes a real square."

12mm graphite bar on Canson paper and 35 steel nails, 180 x 180 cm, 2020.

~~--~~

“Un mundo
que sofre
baixo un manto de flores.
Paisaxes interiores/exteriores”

Collective exhibition, curated by Anxela Caramés and Leticia Castromil.

Sala Palexco, La Coruña, Spain

Instagram post 17864603948282551

Instagram post 17864603948282551

Instagram post 18135028894139529

Instagram post 18135028894139529

"Don’t invite Piet Mondrian to your party. I kno

"Don’t invite Piet Mondrian to your party. I know he starts out by making a great impression, but after a little while he becomes a real square."

12mm graphite bar on Canson paper and 35 steel nails, 180 x 180 cm, 2020.

“Un mundo
que sofre
baixo un manto de flores.
Paisaxes interiores/exteriores”

Collective exhibition, curated by Anxela Caramés and Leticia Castromil.

"Don’t invite Piet Mondrian to your party. I kno

"Don’t invite Piet Mondrian to your party. I know he starts out by making a great impression, but after a little while he becomes a real square."

12mm graphite bar on Canson paper and 35 steel nails, 180 x 180 cm, 2020.

Soon, collective exhibition "Paisajes Interiores/exteriores", La Coruna.

Con Pedro Dourado, Cillas Rodríguez, Marco Moreir

Con Pedro Dourado, Cillas Rodríguez, Marco Moreira, Igor Grubic, Ana Husman y una bandera del partido comunista portugués de Coruche, Portugal. Festival Intersección, La Coruña.

Instagram post 17844992444419510

Instagram post 17844992444419510

Instagram post 18105117400173350

Instagram post 18105117400173350

Instagram post 17860048541190324

Instagram post 17860048541190324

Instagram post 17962697128346283

Instagram post 17962697128346283

Instagram post 18163661416026976

Instagram post 18163661416026976

Hablando de procesos y metodologías, ligadas a la

Hablando de procesos y metodologías, ligadas a la práctica del dibujo contemporáneo.

"CIUDADES EM EVOLUCIÓN, Encuentros dialógicos con la vida no reglada"

Una iniciativa promovida por Universidad Internacional Menéndez Pelayo (UIMP) y Fundación Luis Seoane.

https://fundacionluisseoane.gal/gl/actividades/ciudades-en-evolucion/?fbclid=IwAR1b44ucCtPB2Cq87-T-RziqMPHFKBuKORq85eoodWv6DVzSNExMQq0vH6

#ciudadesenevolución

Rubén Ramos Balsa, en "Un lugar Común", La Norma

Rubén Ramos Balsa, en "Un lugar Común", La Normal, La Coruña.

Xisela Franco en Numax, Santiago de Compostela

Xisela Franco en Numax, Santiago de Compostela

Instagram post 17846798090309401

Instagram post 17846798090309401

Instagram post 17865983144000946

Instagram post 17865983144000946

Instagram post 17853311003161325

Instagram post 17853311003161325

Instagram post 17851442714197751

Instagram post 17851442714197751

Las Margaritas, La Coruña, Galicia

Las Margaritas, La Coruña, Galicia

"Collatio graphic contemporanea III, MMXX" Agrade

"Collatio graphic contemporanea III, MMXX"

Agradeciendo la invitación por parte de su director, esta es mi contribución para la nueva publicación de las "Ediciones Pata Negra" que en breve estará disponible con 60 propuestas de varios autores.

Instagram post 17856174737048615

Instagram post 17856174737048615

#blackouttuesday

#blackouttuesday

La mecánica del dibujo (en serie)...

La mecánica del dibujo (en serie)...

Untitled, Viarco drawing pencils, 2011 Variable di

Untitled, Viarco drawing pencils, 2011
Variable dimensions

Instagram post 17895695590489304

Instagram post 17895695590489304

"La mecánica del dibujo" Ayer hablando de mi tra

"La mecánica del dibujo"

Ayer hablando de mi trabajo en el "Laboratorio escóitasme? Un caderno de bitácora da Fundación Luis Seoane."
Gracias a Silvia Longueira, Fermín Blanco y a todos los presentes.

#escóitasme #LaboratorioEscóitasme #luisseoane #culturagalega #seoanenacasa #corunaencasa #fundacionluisseoane

#unidospelopresenteefuturodaculturaemportugal

#unidospelopresenteefuturodaculturaemportugal

"La mecánica del dibujo" Dia 13 y 14 de mayo de

"La mecánica del dibujo"

Dia 13 y 14 de mayo de las 17 a las 18 horas a través de video conferencia, hablaré de mi trabajo y propondré un reto a todos los conectados, respondiendo al desafío que me ha sido propuesto por el Laboratorio escóitasme? Un caderno de bitácora da Fundación Luis Seoane.

La inscripción es gratuita, más información en el siguiente enlace: https://fundacionluisseoane.gal/gl/didactica/laboratorio-escoitasme-un-caderno-de-bitacora-da-fundacion-luis-seoane/?fbclid=IwAR24XO9TpC6iaavWaGfvKuIqXSH5qysXwy2wxixwnUBZPehVU3MIcS6ZhP8

#escóitasme #LaboratorioEscóitasme #luisseoane #culturagalega #seoanenacasa #corunaencasa #fundacionluisseoane

Un sombrero dibujador, esta fue mi contribución p

Un sombrero dibujador, esta fue mi contribución para el evento Ascoitasme del "Laboratorio escóitasme? Un caderno de bitácora da Fundación Luis Seoane"

Un conjunto de talleres organizados y dirigidos por Silvia Longueira Castro y Fermín Blanco, a través de la Fundación Luis Seoane.

Dadle un vistazo en este enlace: https://fundacionluisseoane.gal/gl/didactica/laboratorio-escoitasme-un-caderno-de-bitacora-da-fundacion-luis-seoane/

https://www.instagram.com/p/B_sm2hKKCWb/?igshid=7xeym6aodp23

Work in progress...

Work in progress...

Sem título, grafite sobre papel Fabriano A4 e 29

Sem título, grafite sobre papel Fabriano A4 e 29 pregos, 2020

84 x 59,5 cm

Sem título, grafite sobre papel Fabriano A4 e 29

Sem título, grafite sobre papel Fabriano A4 e 29 pregos, 2020

78,5 x 78,5 cm

Instagram post 17861091673810071

Instagram post 17861091673810071

5x Sem título, 12 graduações de grafite sobre p

5x Sem título, 12 graduações de grafite sobre papel Fabriano, 60 x 40cm, 2020

Instagram post 17857731313783117

Instagram post 17857731313783117

Instagram post 18108174556097267

Instagram post 18108174556097267

Instagram post 17857161310760146

Instagram post 17857161310760146

De 28 febrero a 1 de marzo, con Saisho en Madrid e

De 28 febrero a 1 de marzo, con Saisho en Madrid en Hybrid Art Fair

https://hybridart.es/fair/expositores/saisho/

Instagram post 18131368291035147

Instagram post 18131368291035147

Instagram post 17935772785344412

Instagram post 17935772785344412

Instagram post 17844905176951834

Instagram post 17844905176951834

Instagram post 17909186938376937

Instagram post 17909186938376937

Instagram post 17843650546861787

Instagram post 17843650546861787

Instagram post 17897949613415726

Instagram post 17897949613415726

Instagram post 18093233329115467

Instagram post 18093233329115467

Gracias a la Universidad de Vigo por darme la opor

Gracias a la Universidad de Vigo por darme la oportunidad de participar en el IV Congreso Internacional de Arte de Acción Fugas e Interferencias, que se llevará a cabo en los días 28, 29 y 30 de noviembre de 2019 en Pontevedra y Santiago de Compostela.
_
https://www.uvigo.gal/universidade/comunicacion/duvi/catro-anos-xerando-masa-critica-estudo-teorico-arte-accion?fbclid=IwAR3WxysLXapFUQOkg8q3sPYJUM-hSBv3y_tSi_srzipOyNwVq6KXmTB4ESw
_
http://fugaseinterferencias.com

Sen titulo (Lápices e debuxo na parede #7)

Sen titulo (Lápices e debuxo na parede #7)

Untitled, (Drawing Machine n.2), 2019 Beech and p

Untitled, (Drawing Machine n.2), 2019

Beech and pine wood, steel, lead, nylon, pencil, paper, four tire set and audio player.

100 x 70 x 70 cm

Developed during the artistic residence of the Biennial of Coruche in Portugal, this drawing machine was made by cutting a work table – designed by José Espinho and produced by Olaio Furniture Makers in the 1970’s – which was also the table used to initially design and conceive the drawing machine itself. A wooden cube with about 70 cm width was built and several doors of different sizes were added to the cube. When the doors open the simple mechanisms placed inside the cube automatically draw random scrawls in a sheet of paper. At the same time, it is also possible to hear the sound recorded at the carpentry during the production of this work. This piece invites the audience to interact with it and discover it.

Bienal de Coruche 2019, Coruche, Portugal.

Ayer en la Sala Normal en Coruña, en una conversa

Ayer en la Sala Normal en Coruña, en una conversación muy agradable, con Anne Heyvaert, Sara Donoso, Araceli Serantes Pazos y IvAn Cn en la presentación del catálogo de la exposición, "Maquinando o debuxo". Muchissimas gracias a todos los presentes.

Presentación del Catálogo: Maquinando o debuxo,

Presentación del Catálogo: Maquinando o debuxo, 23/10 às 20h en Normal
Fotogtafias: IvAn Casero Nieto
Textos: Anne Heyvaert y Sara Donoso

Instagram post 18004788925260604

Instagram post 18004788925260604

Taller "Maquinando o debuxo" en La Normal Coruña,

Taller "Maquinando o debuxo" en La Normal Coruña, España

Instagram post 17842010374734141

Instagram post 17842010374734141

Instagram post 17845932253689394

Instagram post 17845932253689394

Instagram post 17848643398634106

Instagram post 17848643398634106

Untitled, (Drawing Machine n.2), 2019 Beech and p

Untitled, (Drawing Machine n.2), 2019

Beech and pine wood, steel, lead, nylon, pencil, paper, four tire set and audio player.

100 x 70 x 70 cm

Developed during the artistic residence of the Biennial of Coruche in Portugal, this drawing machine was made by cutting a work table – designed by José Espinho and produced by Olaio Furniture Makers in the 1970’s – which was also the table used to initially design and conceive the drawing machine itself. A wooden cube with about 70 cm width was built and several doors of different sizes were added to the cube. When the doors open the simple mechanisms placed inside the cube automatically draw random scrawls in a sheet of paper. At the same time, it is also possible to hear the sound recorded at the carpentry during the production of this work. This piece invites the audience to interact with it and discover it.

Bienal de Coruche 2019, Coruche, Portugal.

Untitled, (Drawing Machine #2), 2019 Beech and pi

Untitled, (Drawing Machine #2), 2019

Beech and pine wood, steel, lead, nylon, pencil, paper, four tire set and audio player.

100 x 70 x 70 cm

Developed during the artistic residence of the Biennial of Coruche in Portugal, this drawing machine was made by cutting a work table – designed by José Espinho and produced by Olaio Furniture Makers in the 1970’s – which was also the table used to initially design and conceive the drawing machine itself. A wooden cube with about 70 cm width was built and several doors of different sizes were added to the cube. When the doors open the simple mechanisms placed inside the cube automatically draw random scrawls in a sheet of paper. At the same time, it is also possible to hear the sound recorded at the carpentry during the production of this work. This piece invites the audience to interact with it and discover it.

Bienal de Coruche 2019, Coruche, Portugal. -

Sem título, (Máquina de desenho #2), 2019

Madeira de faia e pinho, aço, chumbo, nylon, lápis, papel, quatro pneus e reprodutor de áudio.

100 x 70 x 70 cm

Desenvolvida durante a residência artística da Bienal de Coruche em Portugal, esta máquina de desenho foi fabricada a partir do corte de uma mesa de trabalho - projetada por José Espinho e produzida pela Olaio Furniture Makers na década de 1970 - mesa usada inicialmente para projetar e conceber a própria máquina de desenho. Um cubo de madeira com cerca de 70 cm de largura foi construído e várias portas de diferentes tamanhos foram adicionadas. Quando as portas são abertas, simples mecanismos colocados dentro do cubo desenham automaticamente riscos de forma aleatória numa folha de papel. Ao mesmo tempo, também é possível ouvir o som gravado na carpintaria durante a produção deste trabalho. Esta peça convida o público a interagir com ela e a descobri-la.

Bienal de Coruche 2019, Coruche, Portugal.

Workshop, "Maquinando o desenho", na Bienal de Cor

Workshop, "Maquinando o desenho", na Bienal de Coruche 2019

Maquinando o debuxo - en La Sala Normal, La Coruñ

Maquinando o debuxo - en La Sala Normal, La Coruña

Maquinando o debuxo - en La Sala Normal, La Coruñ

Maquinando o debuxo - en La Sala Normal, La Coruña

Instagram post 17876511967434875

Instagram post 17876511967434875

Instagram post 17915066782333652

Instagram post 17915066782333652

Instagram post 17864392231461508

Instagram post 17864392231461508

Instagram post 18085310236046337

Instagram post 18085310236046337

Instagram post 17871902536415578

Instagram post 17871902536415578

Instagram post 17963148148284672

Instagram post 17963148148284672

Instagram post 18053587582188844

Instagram post 18053587582188844

Sabucedo, Galicia

Sabucedo, Galicia

_

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.