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Work in progress…

2021

Untitled, 2021

graphite on paper, 1.5 cm black frame, glass, cardboard and audio sequence

40 x 30 cm

Sound sample: 

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Paisajes interiores/exteriores

2020

Don’t invite Piet Mondrian to your party. I know he starts out by making a great impression, but after a little while he becomes a real square. 

12mm graphite bar on Canson paper and 33 steel nails, 180 x 180 cm. 

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“Un mundo
que sofre
baixo un manto de flores.
Paisaxes interiores/exteriores”
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Collective exhibition, curated by Anxela Caramés and Leticia Castromil. Palexco, Coruña, Spain.
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Maquinando o debuxo

2019
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Photography: Iván Casal Nieto

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Photography: Iván Casal Nieto

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Photography: Iván Casal Nieto

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Photography: Iván Casal Nieto

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Photography: Iván Casal Nieto

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Photography: Iván Casal Nieto

Individual exhibición at “Normal, Espacio de Intervención cultural de la Universidade da Coruña”, Coruña, Spain.

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Bienal de Coruche

2019

“[Drawing Machine] […] with the Sound of its Own Making”, 2019

Beech and pine wood, steel, lead, nylon, pencil, paper, four tire set and audio player.

100 x 70 x 70 cm

Developed during the artistic residence of the Biennial of Coruche in Portugal, this drawing machine was made by cutting a work table – designed by José Espinho and produced by Olaio Furniture Makers in the 1970’s – which was also the table used to initially design and conceive the drawing machine itself. A wooden cube with about 70 cm width was built and several doors of different sizes were added to the cube. When the doors open the simple mechanisms placed inside the cube automatically draw random scrawls in a sheet of paper. At the same time, it is also possible to hear the sound recorded at the carpentry during the production of this work. This piece invites the audience to interact with it and discover it.

Sound sample:


Bienal de Coruche 2019, Coruche, Portugal.

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O meu fazer, cogita a tua percepção de ver

2019
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Untitled, Grafito on Fabriano paper, 90 x 70 cm.

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Individual exhibition at Módulo – Centro Difusor de Arte, Lisbon, Portugal.

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CREADORES 2018

2018
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What you see is what you see and what you saw is what you saw and what you see is what you saw and what you saw is what you will see

Graphite on A4 Fabriano paper and 116 metal nails of 2mm.

4 drawings, 95.2 x 67.3 cm.

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What you see is what you see and what you saw is what you saw and what you see is what you saw and what you saw is what you will see (detail)

Graphite on A4 Fabriano paper and 116 metal nails of 2mm.

4 drawings, 95.2 x 67.3 cm.

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Back to work after a break

Ultrachrome Pigment ink on photographic paper HP Everyday 235 gr mounted on 3 mm Dibond

46,3 x 69,4 cm

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12 boxes of pencils and 2 cubes

2x ultrachrome Pigment ink on photographic paper HP Everyday 235 gr, mounted on Dibon 3 mm
graphite on cardboard

2 photos 39.6 x 54.6 cm and 2 sculptures, dimensions variables

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12 boxes of pencils and 2 cubes (detail)

Graphite on cardboard

Variable dimensions

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Aldrabice

Graphite on paper, carton and wall. Carton, steel, studio key and 128 steel nails of 1.8 x 25 mm.

143.5 x 143.5 cm.

Back to work after a break

UltraChrome Pigment ink on photographic paper HP Everyday 235 gr mounted on Dibon of 3 mm.

46.3 x 69.4 cm.

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Aldrabice

Graphite on paper, carton and wall. Carton, steel, studio key and 128 steel nails of 1.8 x 25 mm.

143.5 x 143.5 cm.

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Aldrabice (detail)

Graphite on paper, carton and wall. Carton, steel, studio key and 128 steel nails of 1.8 x 25 mm.

143.5 x 143.5 cm.

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Open Studio

Ultrachrome Pigment ink on photographic paper HP Everyday 235 gr mounted on 3 mm Dibon

30,8 x 46,3 cm

Collective Exhibition at La Térmica, Málaga, Spain.

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Marco Moreira

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